Girl with a Pearl Earring

Girl with a Pearl Earring, c. 1665
Johannes Vermeer

Did we just call out her name?  Is she turning to us to whisper a secret?  We lose ourselves in her gaze, and all of a sudden we feel a quickening of the heart…a charge of energy.

We are in the presence of a masterpiece.
Girl with a Pearl Earring.

Considered one of the most talented painters in the Dutch Golden Age, Vermeer was a genius in enhancing the sense of vibrancy and mystery through his paints.

How did he achieve the intimacy of this smile?
Look closely at the young girl’s mouth.  Two small white dots on either side of her mouth, echoes the highlights in her eyes and the light on her pearl earring.
Voila!  The young girl’s half smile is enlivened!

How did Vermeer achieve the delicious colors of the turban, the cloak?
The rich blue of her turban: The artist procured the blue rock, lapis lazuli, from Afghanistan traders. He then hand-ground the hard rock to powder making that incredible ultramarine blue.
And her vibrant cloak:  Yellow flowers gathered and boiled making that special golden earthy color.

But knowing the “how” dims not at all our reverence for the painting.  Returning to that face with the liquid eyes and sensual smile, we once again bask in the delight of being in the presence of a true and timeless MASTERPIECE.

Girl with a Pearl Earring:  Dutch Paintings From the Mauritshuis can be seen in a rare traveling exhibit at:

de Young Museum, San Francisco:
January 26 – June 2, 2013

High Museum of Art, Atlanta:
June 22 – September 29, 2013

The Frick Collection, New York:
October 22, 2013 – January 21, 2014

Leave a Comment

2013-01-23T14:35:24+00:00

8 Comments

  1. Dan Goldstein January 24, 2013 at 9:40 am - Reply

    Your discussion of the Vermeer is a pleasure to read, Kirby.
    For me, as an untrained eye, these clues to appreciation which you offer open up the painting for me a lot. thanks!

  2. Donnie Mae January 24, 2013 at 12:30 pm - Reply

    That was out of thePark!!

    Donnie Mae

  3. Katy Sanders January 24, 2013 at 2:54 pm - Reply

    This masterpiece is breathtaking!
    Imagine the dedication of the artist to go through the arduous task of obtaining pigment to use. I appreciate that you brought this to our attention.
    Reading your blog has opened my world to culture I am not exposed to in my everyday life. Thank you!

  4. Susan Eiteljorg January 24, 2013 at 3:38 pm - Reply

    Timely blog!!!
    Jack is doing his art docent gig tomorrow on…Vermeer!
    I have to do Gauguin but they only want 1 session and just because he was a friend of Van Goghs…Christian school, remember.
    Gauguin did too many ‘native paintings’ to show much of his work.

  5. Cathryn C. January 25, 2013 at 1:21 am - Reply

    Fabulous. Cathryn

  6. Diane R. January 25, 2013 at 1:25 am - Reply

    Bravo Kirby,
    Once again you enchant us with your subjects and vivid commentary!!!
    Love you,
    D:))

  7. Vic DePratti January 25, 2013 at 8:16 am - Reply

    I enjoyed the description. Vermeer would be pleased with your use of well chosen words.

  8. linda blair January 25, 2013 at 3:36 pm - Reply

    Enchanting, Kirby. A painting I’ve taught for years has garnered new luster due to your insights and graceful prose. Your blog gets just better and better!
    Linda

Leave A Comment